Intersectionality: Designing Truly Inclusive Spaces

Jan 26, 2024

By Aliyah D. White

 

Inclusivity and diversity are buzzwords that have continued to gain traction in the design world. However, issues such as race, gender, and ability are often distinctly separated, resulting in the unique problems of people who belong to more than one marginalized group being glossed over. Acknowledging the intersectionality of these issues can develop ways to better identify and intervene for the benefit of all people using a given space.

Intersectionality

The term intersectionality was created in 1989 by activist and legal scholar Kimberlé Crenshaw to illustrate the way an individual’s characteristics such as race, gender, class, and sexual orientation can overlap and influence their lived experiences. Merriam-Webster defines intersectionality as, “the complex, cumulative way in which the effects of multiple forms of discrimination (such as racism, sexism, and classism) combine, overlap, or intersect especially in the experiences of marginalized individuals or groups.”

Definition of Intersectionality.

As a theory, intersectionality is not as much about having control over identity and expression as it is about the negative effects systemic discrimination has on people who lay at the intersection of multiple groups. Addressing intersectionality in the design process provides the opportunity to consider all users, give great care for who is at an advantage or disadvantage in each space, and figure out how we can level the playing field.

 

Architecture through the lens of Intersectionality

As architects, it is critical that we acknowledge how limited our own perspectives can be when tackling these problems. It is important to lead with empathy and consult with people who have differing views from our own. No amount of research into an issue can amount to collaborating with people who have that lived experience and know exactly what insights and recommendations will be most helpful. This is the most important part of creating a more inclusive future.

When thinking about increasing the inclusivity of the spaces we design, The University of Buffalo’s Center for Inclusive Design and Environmental Access has created an intriguing methodology called their “8 Goals of Universal Design”. They are as follows:

  1.     Body Fit – accommodating a wide range of body sizes and abilities.
  2.     Comfort – keeping demands within desirable limits of body function and perception.
  3.     Awareness – ensuring that critical information for use is easily perceived.
  4.     Understanding – making methods of operation and use intuitive, clear, and unambiguous.
  5.     Wellness – contributing to health promotion, avoidance of disease, and protection from hazards.
  6.     Social Integration – treating all groups with dignity and respect.
  7.     Personalization – incorporating opportunities for choice and the expression of individual preferences.
  8.     Cultural Appropriateness – respecting and reinforcing cultural values, and the social and environmental contexts of any design project.
List of the 8 Goals of Universal Design.

Consideration

At the heart of inclusive design is consideration. Often, we find that one simple change to make a space more accessible to one group will benefit other groups as well. Within our own firm, we have designers who come from various backgrounds and lived experiences. Designing spaces that we can all enjoy is a top priority for us and implementing practices such as sustainability and accessibility is just the tip of the iceberg of what we can do for our communities to create environments that all kinds of people can comfortably inhabit.

As always, this event is free and open to everyone, and refreshments will be provided by Gaines Group Architects.
 
Series Name: An Interlude of Water

Medium: Hand-cut Montage

Artist Statement:An Interlude of Water

The stillness of a hot, lazy summer evening broken by the laughter of good friends as fishies bite and the sun slowly slips towards the horizon.

The pond collection swirls and twirls like the eddies at the shoreline. Developing slowly to capture the quiet aspects of what creatures could quietly inhabit a pond within the Shenandoah landscape.

The past eight months have been a creative frenzy of exploration, joy, and personal contentment, from envisioning a cohesive grouping of collages that share a color palette to letting my imagination play. The resulting collection has stretched my artistic skills and broadened my perception of interpretation and idea development.

My Process:  

Each collage starts as a line drawing, creating a detailed map of the imagery to be included within the work.  Moving the drawing to the wooden panel entails many bits of hand-cut paper, acrylic mediums, and acid-free paste. A sticky mess, but it so satisfies the need for detail my brain requires. All papers used are colored with acrylic paint applied with painting tools or a Gelli plate. A lot of time is spent pressing (lever press, heavy books, etc) and drying the glued papers before and after mounting on the wooden surface. Acrylic varnish provides a protective sealant for the completed collage. From concept to finished work, the process takes, on average, four weeks.” 

 

Artist Bio: I’ve always been one to dabble in new trends and techniques.  Treading water, seeking the thing that would capture and devour my imagination. In 2018, when life was overwhelming and my soul needed an escape, I fell back in love with collage. Over the intervening eight years, my artistic practice has settled into an obsession, forcing a growth in style and technique with results that personally bring me joy. A relocation to Harrisonburg, Virginia, has allowed me to establish a permanent studio space, adding momentum to my artistic journey.

 

*Accessibility Note: This building was previously restored from a fire. The elevator shaft is currently not functioning and there is an absence of ramps in the space. Because the show is on the 2nd floor, this may pose an issue for those who have mobility challenges. We are aware of this need and we apologize greatly if this changes your ability to attend.

This event is free and open to everyoneSnacks and refreshments will be served and we look forward to seeing you there!

Each month we host a new artist in our building’s 2nd floor gallery at the Chesapeake Western Depot at 141 W. Bruce St. (second floor entrance is on Chesapeake). Artwork will remain on exhibit through the month. Come view the show anytime and get a tour the Depot!

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